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abraham cruzvillegas los señores del narco+2. el uso de los placeres, 2014

Abraham Cruzvillegas' artistic process is deeply influenced by his surroundings.

Tatiana Trouve, Tatiana TROUVE  View of the exhibition "I tempi doppi " in 2014 at Museion Bolzano (Italie)     Courtesy Galerie Perrotin

Tatiana Trouve, Tatiana TROUVE View of the exhibition "I tempi doppi " in 2014 at Museion Bolzano (Italie) Courtesy Galerie Perrotin

by Sarah Sze

Sarah Sze-Guggenheim as a Ruin 2009 Ink, string, collage on paper 50 x 32 in. Collection of Robin and Matthew Perkins Photo courtesy of the Solomon R.

Tatiana Trouvé, Prepared Space, 2014

Tatiana TROUVE, "View of the exhibition "I tempi doppi " at Kunstmuseum Bonn Bonn (Germany),

Tyngdkraft, var min vän (Gravity be my friend) | Pipilotti Rist | Melbourne

Artists — Pipilotti Rist — Images and clips — Tyngdkraft, var min vän (Gravity be my friend) — Hauser & Wirth

asdad - really appeals to me and I'm not sure why other than the geometry and space.

asdad - really appeals to me and I'm not sure why other than the geometry and space.

two nine-foot towers use the weight of pendulums to create large-scale spirograph images, in a machine that echoes the designs and interests of the renaissance period and 19th century harmonographs.

two nine-foot towers use the weight of pendulums to create large-scale spirograph images, in a machine that echoes the designs and interests of the renaissance period and century harmonographs.

Bauhaus costume, 1920s

Oskar Schlemmer_Stelzenläufer Play becomes celebration; celebration becomes work; work becomes play. Our play should become work; our work, a celebration; and our celebration, play. I regard this as the supreme excellence of the human tasks

Sculpture by Don MacLane using a triple pendulum action.

Sculpture by Don MacLane using a triple pendulum action.

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