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Los desastres de la guerra - 4. Las mujeres dan valor - 1810-15

Los desastres de la guerra - 4. Las mujeres dan valor - 1810-15

Les Vieilles or Time and the Old Women: Francisco de Goya y Lucientes, 1810-1812

Les Vieilles or Time and the Old Women: Francisco de Goya y Lucientes,

Francisco Goya (Spanish 1746–1828) [Romanticism] Dona Isabel de Porcel, 1806. National Gallery, London, UK.

Portrait of Doña Isabel de Porcel, by the Spanish painter Francisco Goya around The portrait depicts Isabel Lobo Velasco de Porcel, who was born at Ronda around 1780 and was the second wife of Antonio Porcel.

Goya: The Portraits review – the artist in an extraordinary new light

Goya: The Portraits review – the artist in an extraordinary new light

Antonia Zárate, 1805 by Francisco Goya. National Gallery of Ireland, Dublin, Ireland

1816 La duquesa de Abrantès by Francisco de Goya y Lucientes (Museo Nacional del Prado - Madrid Spain): The Duchess of Abrantes' dress has a sweetheart neckline and minimum sleeves, but is otherwise a typical Empire-era dress.

1816 La duquesa de Abrantès by Francisco de Goya y Lucientes (Museo Nacional del Prado - Madrid Spain): The Duchess of Abrantes' dress has a sweetheart neckline and minimum sleeves, but is otherwise a typical Empire-era dress.

Attributed to Francisco de Goya y Lucientes: Majas on a Balcony (29.100.10) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

Majas on a Balcony, Francisco de Goya, c. oil on canvas, The Met. Goya involves the viewer into the painting by placing the girl’s foot directly on the edge of the balcony railing/ edge of the canvas.

Francisco de Goya (1746-1828) Young Majas Oil on canvas 1811 Musee des Beaux-Arts (Lille, Artois, France)

Francisco de Goya Young Majas Oil on canvas 1811 Musee des Beaux-Arts

Dos Viejos Comiendo Sopa, Francisco de Goya (Las Pinturas Negras, 1819-1823)

Las Pinturas Negras de Goya (Completas) - Arte Sublime

1791 Duchess of Alba by Francisco José de Goya y Lucientes (Hispanic Society of America, New York City)

The Duchess of Alba, 1797 by Francisco Goya. Hispanic Society of America, New York City, NY, US

Young Woman with a Letter (1814-1819). Francisco de Goya y Lucientes (Spanish, 1746-1828). Oil on canvas. Palais des Beaux Arts de Lille. The painting exemplifies the dark tonalities and fluid brushstrokes representative of Goya’s later period, as well as the stylistic influences of Velázquez and Rembrandt.

Young Woman with a Letter (1814-1819). Francisco de Goya y Lucientes (Spanish, 1746-1828). Oil on canvas. Palais des Beaux Arts de Lille. The painting exemplifies the dark tonalities and fluid brushstrokes representative of Goya’s later period, as well as the stylistic influences of Velázquez and Rembrandt.

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